By Geoffrey Huntington

The secret of the Tower at Ravenscliff is ultimately published within the lengthy look ahead to continutation of The Ravenscliff Series.

"The terror starts on web page one and not stops! this is often my type of book-filled with magic and dozens of scary surprises." -R.L. Stine

"A wealthy, riveting and complicated learn. Readers may be hypnotized through its brew of recent England Gothic, personality pushed suspense and formative years magic. i'm hungrily awaiting the extra adventures of Devon March." -Christopher Rice

"Seriously scary... most sensible defined as Buffy meets teenage Goosebumps...Not for the squeamish!" -The Sunday instances London

A returning chance roams the halls of Ravenscliff Manor, the mad sorceress Clarissa, yet she is just one of many difficulties dealing with Devon March. His budding dating with Cecily takes a success whilst he discovers she may be his (gulp!) sister, whereas his buddy Marcus is mysteriously associated with the savage, gorilla-like beast that turns up in distress element on nights of the complete moon.

The purely technique to resolve those mysteries is to take one other journey down the Staircase Into Time, with Devon rising on the Ravenscliff of thirty years in the past. A time while his dad or mum Amanda and the mysterious Rolfe are children, and the Madman, Jackson Muir, is particularly a lot alive.

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Extra info for Blood Moon (The Ravenscliff Series, Book 3)

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It is not enough to simply read I Am Number Four. The first novel functions as a prolonged advertisement (including a cliffhanger ending) for buying into the book’s sequel, the spin-off texts, the film adaptation, and other Lorien Legacies paraphernalia. At over 400 pages and larger print, the book looks hefty. Like the plot of the book falling in line with traditional YA, the book’s size and design signal to readers the book as a commendable title within the YA genre. This, too, is likely a trend that followed the lengthy Harry Potter books that slowly extended their length beyond 200 and 300 page lengths, bursting into longer, “adult” length books.

In doing so, I will explore the online writing and social community, Figment. It is one of several online spaces focused on young people writing, sharing, and discussing young adult literature. And though the site and the way it helps challenge traditional understandings of the YA genre are discussed in that chapter, it is important to acknowledge, here, Figment’s implicit contribution to this book. In early 2012, I was preparing to teach my first Adolescent Literature course at Colorado State University.

The astronomical success of the Harry Potter franchise is unlike any book that has since followed in its publishing footsteps. The Twilight films have broken numerous box office records, but the sustained book, movie, and product sales of Harry Potter have yet to be surpassed. For myriad children growing up around the world during the years that the Rowling series was released, Harry Potter is beacon of exactly why we can fall in love with books. Though his world was mysterious and rife with danger and wonder, it was also 13 CHAPTER 1 a humanizing world of pathos, anger, and learning to accept the world for what it is.

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